ANOTHER VERSION:

                1 - - - 2 - - - 3 - - - 4 - - - 1 - - - 2 - - - 3 - - - 4 - - -
 Djembe 1       B s   s B o O   B   S   B o O
 Djembe 2       . . T t . . S s . . T t . . S s
 Dj Bass        B . . t T . . . B . .(b)T t T t T . . t T . . . B . . . T . . .
lead rides      O . . O o . B b S b . O o . . .  (hot!)
                O . . s . . . o O . S . S . . o
                S . S s . s O o :|

Kenkeni

bell            x . . . x . . . x . . . x . . .
drum            . . o o . . o o . . o o . . o o

Sangba

bell            x . x . x . x . x . x . x . x . x . x . x . x . x . x . x . x .
drum            i . . o o . . . i . . . o . o . o . . o o . . . i . . . o . . .

Dununba

bell            x . x . x . x . x . x . x . x .
drum            o . . .(i). .(o)o . o .(i). . .

DJOLE Aloha!...here's how we play it in Hawaii. The parts come from various teachers, or African recordings.

Djole

                1 - - - 2 - - - 3 - - - 4 - - - 
 Djembe 1       B s . s B o O . B . S . B o O .
 Djembe 2       . . T t . . S s . . T t . . S s
 Dj Bass        B . . t T . . . B . .(b)T t T t ->
                T . . t T . . . B . . . T . . .
lead rides      O . . s . . . o O . S . S . . o
                S . S s . s O o :|
                S . s S . s O o S . s . S s O o
                O . . O o . B b S b . O o . . .

                1 - - - 2 - - - 3 - - - 4 - - - 
bell            x . . . x . . . x . . . x . . .
Kenkeni         . . o o . . o o . . o o . . o o

Sangban (simple version for when it's FAST!)

bell            x . x . x . x . x . x . x . x .
drum            i . . . o . . . i . . . o . . .

Sangba (for slower tempos, especially if we have no one on bass djembe)

bell            x . x . x . x . x . x . x . x . x . x . x . x . x . x . x . x .
drum            i . . o o . . . i . . . o . o . o . . o o . . . i . . . o
. . .
bell            x . x . x . x . x . x . x . x .
Dununba         o . . . i . .(o)o . o . i . . .

Djole Breaks

         1 . . . 2 . . . 3 . . . 4 . . . 1 . . . 2 . . . 3 . . . 4 . . .
pt 1     B b . B . b . B b . B . b B . b B . . o . O . o S s S s S . . .
pt 2     B b . . . . . B b . . . B b . . |

or

         B . B . . . S s S . . . B . B . . . S s S . . . B . B . B . B . ->
         B . . . O . S s B . b . B . S . |

This is the version we use most consistantly, taught to us by Mohamed DaCosta.

 1 . . . 2 . . . 3 . . . 4 . . .
dj1 T t . . T t . . T t . . T t . .
dj2 . . T t . . S s . . T t . . S s
dj3 S . . . T t T t T t . t T . . .
dun1 L . . . H . . . L . L . H . . .
dun2 . . H H . . L . . . H H . . . .
break F . T t F . T t F . T t F . . .

Slap on dj3 is a muted slap, probably on a low djembe

L is low djun, H is high djun

F's in break denote flam slaps (this is a challenge at faster tempos)

Mohamed uses another longer break, which I still haven't been able to notate, even though I can play it. He has taught a few other parts, though, like:

 1 . . . 2 . . . 3 . . . 4 . . .
Djembe B . . . B . . . B . . T . t T .
Djembe B t . t B . s . B . t . B . s .