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DIDADIJembe Institute from Papus Jobate, transcribed it in two forms: fast (straight 4/4) and slow (swing). The relationship between the two feels is like this (as I hear it): straight time: 1 . & . 2 . & . 3 . & . 4 . & . swinging: 1 . . & . . 2 . . & . . 3 . . & . . 4 . . & . . in other words, each eighth note contains the feel of a sixteenth-note triplet. Fast version: Pulse: 1 . . . 2 . . . 3 . . . 4 . . . Bell: x . x x . x . x x . x . x . x . Dunduns: L . H H . H . H H . L . H . H . Jembe 1*: $ . . . T . T . $ . . . T . T . Jembe 2*: O o . S . B s . O o S s . B s . Jembe 3: B . s S . s O o S . s S . s O o Jembe 4: S . . s S . O o S . . s S . O o Note: * These parts enter with the break on the last beat as a pickup to the groove. 1 . . . 2 . . . 3 . . . 4 . . . Break: T . O o . O . o O . o . O . . . Jembe 1: . . . . . . . . . . . . T . T . (into groove) Jembe 2: . . . . . . . . . . . . . b S . (into groove). Slow version: Pulse: 1 . . & . . 2 . . & . . 3 . . & . . 4 . . & . . Bell: x . . x . x . . x . . x x . . x . . x . . x . . Dunduns: L . . H . H . . H . . H H . . L . . H . . H . . Jembe 1: $ . . . . . T . . T . . $ . . . . . T . . T . . Jembe 2: O . o . . S . . B s . . O . o S . s . . B s . . Jembe 3: B . . s . S . . s O . o S . . s . S . . s O . o Jembe 4: S . . . . s S . . O . o S . . . . s S . . O . o
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