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DUNUMBÈDumumbè origines from Hamana, Siguiri and Kankan. The Dunumbè is called the "Mother of all dunumba-rhythms" (about 20): the dance of the strong men. Intro S S T S S S . . . . . . . . . . . . . . . . . . r l r l r l . . . . . . . . . . . . . . . . . . K . . . . . . . . O . O O . . O . O O . . O . O O S . . . . . . . . O O . . . . O O . . . . O O . . D . . . . . . . O O . O O . O O . O O . O O . O O . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . K . . O . O O . . O . O O . . O . O O . . O . O O S . . O O . . . . O . . . . O . O . O . . O . . . D . O O . O O . O O . O O . . O . O O . . O . O O These two lines have to be reaeted once. After that the djembe's join. Kenkeni : Here are three bell-patterns. Beginners use 1 and 2. In a full orchestra the third bell-pattern is appropriate. K . . O . O O . . O . O O . . O . O O . . O . O O 1 x . . x . . x . . x . . x . . x . . x . . x . . 2 x . x . x . x . x . x . x . x . x . x . x . x . 3 . x x . x x . x x . x x . x x . x x . x x . x x Sangban C . . . . . . . O . . . C . . . . . . . O . . . x . x x . x . x x . x . x . x x . x . x x . x . Sangban varaition: to use instead of the first line occasionally . O . O . O . . O . . . C . . . . . . . O . . . . x . x . x . x x . x . x . x x . x . x x . x . Sangban: echauffement (play the closed hit of the normal pattern once only) c . O O . . . . O O . . . . O O . . . . O O . . x . x x . x x . x x . x x . x x . x x . x x . x Sangban : returing to normal rhythm: the Sangban dictates the return to normal rhythm to the other players by making a single stroke instead of the dubble. . . O O . . . . O . . . . O . O . O . . O . . . x . x x . x x . x . x . x x . x . x . x x . x . Dundun . . . . . . . O O . O O . . . . . . . O O . O O . x x . x x . x x . x x . x x . x x . x x . x x Dundun : echauffement . O O . O O . O O . O O . O O . O O . O O . O O . x x . x x . x x . x x . x x . x x . x x . x x Dundun : returning to normal rhythm . O . O . O . O O . O . . . . . . . . O O . O O . x . x . x . x x . x . x . x . x x . x x . x x Djembé 1 S . T S . . S . T S . . S . T S . . S . T S . . r . r l . . r . r l . . r . r l . . r . r l . .. r l . . Djembé 2 S . . S T T S . . S T T S . . S T T S . . S T T r . . l r l r . . l r l r . . l r l r . . l r l Djembé 3 . . S . T S . . S . T S . . S . T S . . S . T S . . r . r l . . r . r l . . r . r l . . r . r l Djembé solo accompagnement S S S S T T S S S S T T S S S S T T S S S S T T r l r l r l r l r l r l r l r l r l r l r l r l Djembé : an example of returning to normal rhythm after a solo S S S S . T T T T . S . . . . . . . . . . . . . 2 r l r . 2 r l r . f . . . . . . . . . . . . . Djembé solo 1 ; use these elements T T S S . . T T S S . . T . . . . . . . . . . . 2 r l r . . 2 r l r . . r . . . . . . . . . . . T T S S . . T T S S . . T T S S . . T T S S . . 2 r l r . . 2 r l r . . 2 r l r . . 2 r l r . . S T T S T T S T T S S . . T . . . . . . . . . . . l 2 r l 2 r l 2 r l r . . r . . . . . . . . . . . S T T S T T S T T S T T S T T S T T S T T S . . . T l 2 r l 2 r l 2 r l 2 r l 2 r l 2 r l 2 r l . . . r S T T S S . S T T S S . . T . . . . . . . . . . . 2 r l r l . 2 r l r l . . r . . . . . . . . . . . S T T S S . S T T S S . S T T S S . S T T S S . . 2 r l r l . 2 r l r l . 2 r l r l . 2 r l r l . . S S T S S S . . . . . . S S T S S S . . . . . . r l r l r l . . . . . . r l r l r l . . . . . . S S T S S T S S T S S T S S T S S T S S T S S . r l r l r l r l r l r l r l r l r l r l r l r . S S S S . T T T T . S . . . . . . . . . . . . . 2 r l r . 2 r l r . f . . . . . . . . . . . . . Djembé solo 2 ; use these elements: S T T T S S S T . . . . . . . . . . . . . . . . . l 2 r l 2 r l r . . . . . . . . . . . . . . . . . . S . . S . . S . . S . . S . . S . . S . . S . . f . . f . . f . . f . . f . . f . . f . . f . . S . . S . . S . . S . . T T T . . . . . . . . . f . . f . . f . . f . . f r f . . . . . . . . . S . T T T S . . . . . . S . T T T S . . . . . . f . 2 r l r . . . . . . f . 2 r l r . . . . . . S S . T T T . . . . . . . . . . . . . . . . . . f f . 2 r l . . . . . . . . . . . . . . . . . . S S S . S S S . S S S . . . . . . . . . . . . . l r l . l r l . l r l . . . . . . . . . . . . S S T T S S . . S S T T S S . . S S T T S S . . r l 2 r l r . . r l 2 r l r . . r l 2 r l r . .
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